Journal of Film Preservation:
Latest Issue - #107, October 2022
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EDITORIAL
Elaine Burrows | 7
OPEN FORUM
A New Start for the Cinemateca Brasileira
Gabriela Sousa de Queiroz, Nathália Colsato, and Olga Futemma | 15
Accessibility Can’t Wait: The Need for Disabled Voices in the Film Archive
Michael Marlatt | 21
Sur, paredón y después. La conferencia internacional Eye 2022
Carolina Cappa | 29
Access Then and Now: An Introduction
Oliver Hanley and Elaine Burrows | 37
Notes on the Helpful User Anno 2022
Christian Gosvig Olesen | 39
Access is Not a One-Way Street: The Relation Between Access to Collections and Cataloguing
Adelheid Heftberger | 47
Never the Twain Shall Meet? Technology and Access and the Question of “Authentic” Appearance
Oliver Hanley and Ulrich Ruedel | 53
HISTORY
Miss-ing Movies: The Hunt for Women’s Film Histories
Elliana Jay Hamer | 63
Retour sur la chronologie d’une invention : les brevets du Pathé-Baby
Anne Gourdet-Marès | 75
Antoinette Sabrier en formats réduits, les versions Pathé du film de Germaine Dulac
83 | Elvira Shahmiri
ARCHIVES AT WORK
Filling the Gaps in an Incomplete Film. Some Thoughts and Questions on Film Reconstruction
93 | Louise Burkart
The Disaster, the Moving Images and the Film Archive: the “Films of the Great Kanto Earthquake of 1923” Website
103 | Akira Tochigi
Restaurer André Antoine
111 | Manon Billaut et Noémie Jean
Challenges of Gasparcolor Technology in the Digital Restoration of Gyula Macskássy Commercials
121 | Eszter Fazekas and János Molnár
REVIEWS
De la scène à la pellicule. Théâtre, musique et cinéma autour de 1900
132 | François Amy de la Bretèque
Les As de la manivelle. Le métier d’opérateur de prise de vues cinématographiques en France (1895-1930)
135 | Alain Carou
Jacques Ledoux
138 | Robert Daudelin
Early Cinema, Modernity and Visual Culture. The Imaginary of the Balkans
142 | Marian Țuțui
Un cinéma en mouvement. Portabilité des appareils et formes filmiques
144 | Giusy Pisano
Film. The Living Record of Our Memory
Esteve Riambau | 147
Das Reichsfilmarchiv. Geschichte einer deutschen Institution.
Eva Orbanz | 150
The Camera is Ours: Britain’s Women Documentary Makers
Caroline Merz | 154
Noční jazdci/ Night Riders
Michael Brooke | 158
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