| 2007 |
Tokyo |
Archival Study of Short-lived Formats: From Pre-cinema to E/D Cinema |
 |
| 2006 |
São Paulo |
The future of film archives in a digital cinema world: Film Archives in Transition |
|
| 2005 |
Ljubljana |
How do we visualise culture?"
Representations of culture in the light of Ethnographic Film |
|
| 2004 |
Hanoi |
No Time, No Money - Moving Image And Sound Archiving Under Emergency Conditions |
|
| 2003 |
Stockholm - Helsinki |
Fading Colour Film - Preserve and Restore |
|
| 2002 |
Seoul |
Asian Films: Yesterday, Today and Tomorrow |
|
| 2001 |
Rabat |
Colonial Cinema: A Borrowed Film Heritage |
|
| 2000 |
London |
The Last Nitrate Picture Show / The Futurology of Film Archiving |
|
| 1999 |
Madrid |
A Century of Cinema / A Century in Cinema |
|
| 1998 |
Praha |
Digitalisation of Archive Materials |
|
| 1997 |
Cartagena |
Out of the Attic: Archiving Amateur Film |
|
| 1996 |
Jerusalem |
The Rights Thing |
|
| 1995 |
Los Angeles |
Learning from the History of FIAF / New Technologies for Preservation / the Great Challenges and Other |
|
| 1994 |
Bologna |
A Philosophy of Audiovisual Archiving |
|
| 1993 |
Mo I Rana |
Newsreels in Film Archives |
|
| 1992 |
Montevideo |
Programming in Film Archives |
|
| 1991 |
Athinai |
The Place of Video in Film Archives / Film Archives and Independent Cinema |
|
| 1990 |
Habana |
Film Archiving in Developing Countries / The Ibero-American Film of the 30's, 40's and 50's |
|
| 1989 |
Lisboa |
Rediscovering the Role of Film Archives: To Preserve and to Show |
|
| 1988 |
Paris |
Le Cinéma français muet dans le monde: Influences réciproques |
|
| 1987 |
Berlin (West) |
Archiving the Audiovisual Heritage (Joint Technical Symposium in Collaboration with FIAT and IASA) |
|
| 1986 |
Canberra |
Computer Applications in Film Archives / Technical and Aethical Problem of Film Restoration |
|
| 1985 |
New York |
The Technicolor Process of Color Photography / Slapstick Symposium |
|
| 1984 |
Wien |
Film and Cinema in Central Europe (1895-1914) / The Importance of Non-Industrial Cinema within Our Cultural Heritage |
|
| 1983 |
Stockholm |
Film Archiving in the 21st Century (Technical Symposium FIAF/FIAT) |
|
| 1982 |
Oaxtepec |
El Cine olvidado de America Latina / Which Future for the Past? Keeping Cinema Alive |
|
| 1981 |
Rapallo |
The Preservation of Color Films / L'Europe des téléphones blancs (1935-1940) |
|
| 1980 |
Karlovy-Vary |
Post-War Animation (1945-1959) / Problem of Selection in Film Archives |
|
| 1979 |
Lausanne |
Le Cinéma indépendant et d'avant-garde à la fin du muet |
|
| 1978 |
Brighton |
Cinema: 1900-1906 |
|
| 1977 |
Varna |
The Influence of Soviet Silent Cinema on World Cinema |
|
| 1976 |
Mexico |
El Cine latinoamericano, realidad o ficción |
|
| 1975 |
Torino |
Pastrone and Griffith |
|
| 1974 |
Ottawa - Montreal |
Film Archives and Audiovisual Techniques / The Methodology of Film History |
|
| 1973 |
Moskva |
Heritage culturel des metteurs en scène éminents soviétiques, S.M. Eisenstein et V.I. Poudovkine |
|
| 1972 |
Bucuresti |
Film Archives and Film Historical Research |
|
| 1971 |
Wiesbaden |
|
|
| 1970 |
Lyon |
|
|
| 1969 |
New York |
|
|
| 1968 |
London |
|
|
| 1967 |
Berlin (DDR) |
|
|
| 1966 |
Sofia |
|
|
| 1965 |
Oslo |
|
|
| 1964 |
Moskva |
|
|
| 1963 |
Beograd |
|
|
| 1962 |
Roma |
|
|
| 1961 |
Budapest |
|
|
| 1960 |
Amsterdam |
|
|
| 1959 |
Stockholm |
|
|
| 1958 |
Praha |
|
|
| 1957 |
Antibes |
|
|
| 1956 |
Dubrovnik |
|
|
| 1955 |
Warszawa |
|
|
| 1954 |
Lausanne |
|
|
| 1953 |
Vence |
|
|
| 1952 |
Amsterdam |
|
|
| 1951 |
Cambridge |
|
|
| 1949 |
Roma |
organised by the Cineteca Nazionale di Milano |
|
| 1948 |
Kobenhavn |
|
|
| 1946 |
Paris |
|
|
| 1939 |
New York |
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Guideline